Un nouveau modèle de financement pourrait-il inverser la tendance dans la lutte contre le diabète?
Melody Hyde Swan travaille en première ligne. Elle est diététiste et occupe depuis cinq ans le poste de coordonnatrice de la promotion de la santé au
Amanda Amour Lynx (she/they) is a queer, Two Spirit, mixed Mi’kmaw interdisciplinary artist, facilitator, and curator currently living in Guelph, Ontario. Lynx was born and grew up in Tiohtià:ke (Montreal) and is a member of Wagmatcook First Nation. Lynx received a BFA from OCAD University in drawing and painting, minoring in Indigenous visual culture. Indigenous storywork and socially engaged practices that explore healing and re-narrating trauma are a focus in Lynx’s practice. Their art-making is a hybrid of traditional approaches with new media and digital arts. Lynx engages with an experimental process involving beadwork, textiles, and regalia-making combined with contemporary digital practices, sculpture, installation, performance, sound art, painting, zine-making, and alternative mediums. Guided by the Mi’kmaq principles netukulimk (reciprocity) and etuaptmumk (two-eyed seeing), Lynx’s artistic practice discusses land and relationality, environmental issues, navigating systems and societal structures, sexuality, cultural and gender identity, Indigenous (L’nui’smk) language resurgence, and quantum and spiritual multiplicities.
Melody Hyde Swan travaille en première ligne. Elle est diététiste et occupe depuis cinq ans le poste de coordonnatrice de la promotion de la santé au
A partnership between Raven Capital, the Lawson Foundation, and the federal government leverages an impact-investing strategy from the clean energy sector to tackle the diabetes epidemic in Indigenous communities.