The future of work
Ready or not, the future of work is already here. For those who make the world of work their business, there’s reason for both optimism and concern.
Angela Long is a freelance journalist and multi-genre writer. Her work has appeared in numerous publications, including The Globe and Mail, Utne Reader, and Poetry Ireland Review. She has travelled widely – collecting stories, working, and volunteering – from the Indian Himalayas to the rainforests of Central America, to the farmers’ fields of Basque Country. In 2018, she drove across Canada visiting rural media outlets for an upcoming book about the power of local news. She has written about living off-grid (after her own three-year experience on Haida Gwaii), Indigenous water issues, and astrophysics. She has profiled famous artists, volunteer doctors, and war correspondents. Her work has been anthologized, and she’s the author of two books, Observations from Off the Grid (2010) and Every Day We Disappear (2018). While she calls Toronto home, she lives part-time in Galicia, Spain, where she cares for a growing number of abandoned cats.
Ready or not, the future of work is already here. For those who make the world of work their business, there’s reason for both optimism and concern.
In this interview with Leslie Woo (CivicAction) and Adwoa K. Buahene (TRIEC), the two CEOs ask what “build back better” means – and for whom?
This week: Sector responses to residential school discoveries in Kamloops, anti-Muslim terror in London, and anti-Asian hate crimes in Vancouver; progress on S-222; new findings
This week: Budget 2021, the feds respond to the Senate’s sector report; Volunteer Week; gender policy and the recovery; and hunting for vaccines online. Budget
When Kyle Russell, interim director of Alberta Theatre Projects (ATP), hears on the radio that the Alberta government is banning all gatherings of 250 people
This is the first of an ongoing “Solutions Journalism” series. Its goal is to provide practical, informative, and expert resources and tools in concise, approachable
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Every year, AIP laureates receive original artwork. The piece pictured at right – Once the Darkness Is Realized by Blake Lepine, an artist from Carcross Tagish First Nation in the Yukon – is one of the pieces from 2019.